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Stage design. Scenography --- anno 1900-1999 --- Theaters --- Stage-setting and scenery --- Theaters - Stage-setting and scenery
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La scénographie est l'art d'organiser l'espace de la fiction théâtrale, mais aussi l'espace plus global de la rencontre et de l'échange entre le public et les acteurs. En tant qu'outil de la représentation, elle exprime une vision du monde. Depuis l'origine grecque de notre théâtre occidental jusqu'au début du XXe siècle, les codes de représentation ont évolué, leurs significations sont aujourd'hui perdues ou bien ont survécu en se modifiant. La scénographie reste alors l'une des seules traces de la représentation théâtrale, éphémère par essence. C'est à cette traversée chronologique de l'espace scénographique que nous invite ce livre, analysant tour à tour textes, croquis, illustrations, dessins, où l'architecte, le machiniste, le décorateur, le peintre, font office de celui qui n'est pas encore le " scénographe ". Cet ouvrage s'adresse aux étudiants en arts du spectacle, en lettres, en architecture et à tous ceux que le théâtre ou l'opéra font rêver.
Theaters --- Histoire --- Représentation architecturale --- Scénographie --- Théâtre --- Stage-setting and scenery --- Designs and plans --- Theaters - Stage-setting and scenery --- Theaters - Designs and plans --- Europe --- Décors
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Neolithic period --- Ireland --- Human geography --- History --- Landscapes --- Antiquities --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Countryside --- Landscape --- Natural scenery --- Scenery --- Scenic landscapes --- Nature --- Antiquities.
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Set designers --- Theaters --- Décorateurs de théâtre --- Théâtre --- Stage-setting and scenery --- Décors --- Schinkel, Karl Friedrich,
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Culture in motion pictures. --- Design --- Design --- Material culture --- Material culture --- Motion pictures --- Motion pictures --- History --- History --- History --- History --- Setting and scenery. --- Influence
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Scene painters --- Scene painting --- Theaters --- Scénographes --- Scénographie --- Théâtre --- Stage-setting and scenery --- Décors et mise en scène --- Frigerio, Ezio,
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Rock concerts --- -Mark Fisher (° England) --- Architectuur ; stadia ; voor rockconcerten buiten --- Architectuur ; design ; rockshows ; 1970-1999 ; M. Fisher --- Architectuur en muziek --- Architectuur ; theatergebouwen ; podiumkunsten --- 72.07 --- 72.038 --- Rock music concerts --- Rock shows --- Concerts --- Stage-setting and scenery --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Fisher, Mark --- -Criticism and interpretation --- Stage-setting and scenery. --- Mark Fisher (° England) --- Theaters --- Fisher, Mark, --- Criticism and interpretation.
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Architecture and Film looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public's perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson from Harvard Design Magazine writes on how films from The Fountainhead to Jungle Fever have depicted architects. Eric Rosenberg from Tufts University looks at how architecture and spatial relations shape the Beatles films A Hard Day's Night, Help!, and Let It Be. Joseph Rosa, curator at the National Building Museum, discusses why modern domestic architecture in recent Hollywood films such as The Ice Storm, L.A. Confidential, and The Big Lebowski has become synonymous with unstable inhabitants. I.D. Magazine writer Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the Star Wars trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a "behind the scenes" perspective: film editor Bob Eisenhardt comments on the making of Concert of Wills, a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton's upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for Seven and Mission Impossible; and motion picture art director Jan Roelfs, whose credits include Gattaca, Orlando, and Little Women.
architectuur --- film [performing arts] --- Film --- film --- Architecture --- architecture [discipline] --- 72 --- 791.43 --- filmkunst --- decors --- decorbouw --- scenografie --- 791 --- Architectuur. Bouwkunst --- Filmkunst. Films. Cinema --- Architects in motion pictures. --- Architecture in motion pictures. --- Motion pictures --- Setting and scenery. --- 791.43 Filmkunst. Films. Cinema --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architects in motion pictures --- Architecture in motion pictures --- Architectes --- Décors de cinéma --- Setting and scenery --- Au cinéma --- Scenery (Motion pictures) --- Setting (Motion pictures) --- Art direction --- Décors de cinéma. --- Au cinéma. --- Décors de cinéma. --- Au cinéma. --- film [discipline]
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Stage design. Scenography --- Semiotics --- Theater --- Théâtre --- Stage-setting and scenery --- Production and direction --- Mise-en-scène --- Production et mise en scène --- Théâtre --- Mise-en-scène --- Production et mise en scène
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Motion pictures --- Architecture in motion pictures --- Architecture --- Cinéma --- Architecture dans le cinéma --- Setting and scenery --- History --- Décors --- Histoire --- Décors de cinéma --- Architecture in motion pictures. --- Cinéma --- Architecture dans le cinéma --- Décors --- Décors de cinéma.
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